How Were Works of Art Utilized in Different Culturesã¢ââ¢ Burial Rituals

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Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa

Published by Institut Seni Indonesia Surakarta

ISSN : 20870795 EISSN : 26220652 DOI : -

Cadre Discipline : Humanities, Art,

The chief focus of this journal is to promote global give-and-take forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Serial will encourage practice and inquiry innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic evolution of dynamic theories, practices and discourses of visual fine art and visual culture.

Arjuna Subject : -

Articles 163 Documents

Fenomena Alam Sebagai Sumber Inspirasi Penciptaan Karya Seni Lukis
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)

Publisher :

Institut Seni Indoensia Surakarta

This paper is a report from the study of the creation of works of art with a source of ideas of natural phenomena. In the context of the creation of art, nature with all its elements are sometimes seen every bit a theme, sometimes seen as a motive, sometimes likewise as an object of study, or a source of inspiration of artists (Soedarso SP,: 2006:thirty). This paper is at once answered the purpose of creation studies conducted past the author, which explains: how the phenomenon of destruction of nature equally a source of ideas placed the creation of works of fine art? And how the process of making paintings with natural phenomena as a source of ideas?Keywords: natural phenomenon, the source of the idea of creation, painting.

Kathe Kollwitz Kekelaman Dan Kepedihan Dalam Karya Seni Cetak Grafisnya Mahendrapati, Nawangseto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol four, No 1 (2012)

Publisher :

Institut Seni Indoensia Surakarta

Ekspressionis creative person Kathe Kollwitz was a woman from Germany who has a major reputation as a graphic artist, althought he began his career every bit a painter and ended by making sculptures. His works done by combining technical masteryof the powerful, often shocking and agonizing, images were shown to the whole message strong. The overall theme of his work is mainly social and political, but the quality of emotional expression that is not cluttered. Kolwitz Kathe works that use black and white and the utilise of lighting effects felt very tense and dramatics. Facial expression and position objects depicted actually can correspond feelings.This commodity discusses the background of the creation of works of graphic art prints by Kathe Kollwitz aesthetic approach. What factors underlying the creation of works of Kathe Kollwitz dark and gripping, and whether the expression of fellings like Kathe Kollwitz poured through his piece of work with graphic print art techniques.Keywords : printmaking, dramatically, Kathe Kollwitz, Therapy

KAJIAN IKONOGRAFI KARYA DULLAH Ã¢â‚¬Å"PRAKTIK TENTARA PENDUDUKAN ASINGÃ¢â‚¬Â Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol vii, No i (2015)

Publisher :

Institut Seni Indoensia Surakarta

The article tittled The Iconography of DullahÃ¢â‚¬â„¢s artwork "Strange Occupation Soldiers Practice" is intended to seek the textual and contextual meaning of DullahÃ¢â‚¬â„¢s art piece of work. With iconographic arroyo will be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will exist a major business organisation in reviewing the history of fine art, nevertheless too necessary to understand the contextual and symbolic aspects. At the time of independence Dullah documentating the events related to the struggle of the Indonesian nation to seize and retain independence in his works. Dullah even led a group of young artists to paint directly of events during the occupation of Yogyakarta as an try to document the history of the struggle of the nation. One of his very famous is"Strange Occupation Soldiers Do". This work depicts the atrocities of the Japanese regular army confronting the population Indonesia. Information technology is a very strong art work is the "Foreign Occupation Soldiers Practice" that depicts cruelty colonizers against the ethnic population. In this case the work of "Foreign Occupation Soldiers Exercise" finds its context as understood past tracing the socio-cultural history during the years 1930-1940. From the art piece of work we tin observe out how the socio-historical situation of the community when the colonial era.Ã‚Â Keywords :Dullah, Iconography, Praktik Tentara Pendudukan Asing.

SENI LUKIS KARYA WIRYONO PERIODE 2006-2012 Wicaksana, Arif

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Cholis, Henry
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol nine, No two (2017)

Publisher :

Institut Seni Indoensia Surakarta

This article discusses the paintings past Wiryono in the 2006-2012 flow which are unique in terms of techniques, shapes, fantasies, metaphors, and aesthetics that are displayed in the works. The type of research used is qualitative research using a phenomenological approach that obtains data through direct observation in the field, interviews, literature reviews and other visual information. To dissect the work, Monroe C. Beardsley's theory of inventiveness was used.Ã‚Â Keywords: aesthetics, wiryono, painting.

Kaligrafi Arab Dalam Seni Lukis Kaca Cirebon Gozali, Amir
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)

Publisher :

Institut Seni Indoensia Surakarta

Islamic culture transformation process continues to this twenty-four hour period, the puppet is one proof of the continuity of historical reflection Indonesian culture resulting from the transformation of culture has characterized the civilisation of the archipelago. In improver it is too the object of puppets in the creation of works of fine art of Islamic calligraphy in Indonesia. Islamic Calligraphy has been media creativity of the artist to realize the creation of Islamic fine art that characterized the archipelago. During its development, calligraphy works, both produced by palace artist and artist from outside the palace, has managed to absorb the local cultture and accomplishment in calligraphy. In connection with this, mucullah calligraphy works in the form of works of calligraphy with the puppet motif adapted well in the archipelago, especially in Cirebon. Glass painting in Cirebon could non be separated from the cultural history of Cirebon that culture is the crystallization of several from the cultures that influence information technology. In the history of Cirebon culture influences from Standard arabic, Chinese, and Central and E Java.Acculturation in Cirebon civilization integrated with peace, so that glass painting in Cirebon if observed bring a breath of uniqueness and distinctive character. Islamic Calligraphy in Cirebon is a mean of channeling creative art reflection of this artist.The trustee in Cirebon past successfully combining creative Islamic calligraphy art with elements of local fine art. And so the calligraphy appears Cirebon identity. Traditional decorative patterns that have been developed previously distilir so as to produce beautiful calligraphic work without losing his character. Some works of calligraphy Panembahan which is stylized decorative patterns that emerge in the class of a charming figural calligraphy, monumental and filled with elements of local genius. Islamic Calligraphy presence in Indonesia has emerged as the archipelago culturesÃ‚Â  capable of moving the tradition of thinking and notices, which is capable of touching the existence, cultivate ideas, open intuition, imagination bandage a significant backside the verses as a source of expression and creativity to create works that bercitra archipelago. Keywords: Glass painting, Cirebon, Islamic Calligraphy.

Pemaknaan Alam Dalam Karya I Made Arya Palguna Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 6, No i (2014)

Publisher :

Institut Seni Indoensia Surakarta

Interactions between humans and nature around a lot to do with the creation of works of fine art both in terms of motivation and the creation of the result later. Nature provides its own significant for each artist to exist disclosed into work, Fabricated Arya Palguna are artists who give their own significant to nature admired to exist disclosed into works of art. The relationship between individuals (Palguna) with nature in orbit consciousness as man beings living in the traditional and mod voltage. Palguna familiar and fifty-fifty close to the surrounding nature, but information technology does not cause admiration closeness to the outward forms, simply the essence in it. More interpret nature as a part of the artistic process to uncover the hidden meaning in nature.Keywords: nature, significant, and Palguna

IDIOM ESTETIKA DALAM HIPEREALITAS IKLAN ROKOK Alfian, Tristan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No one (2017)

Publisher :

Institut Seni Indoensia Surakarta

Pembuatan iklan rokok bertujuan untuk menyampaikan pesan dan wacana citra atau brand produk rokok. Bukan hal mudah untuk memunculkan ide kreatif dalam sebuah iklan rokok mengingat peraturan iklan rokok semakin ketat. Idiom estetika yaitu Pastiche, Parodi, Kitsch, Camp, dan Skizofrenia yang terkandung dalam iklan rokok menimbulkan konsep-konsep estetik sebagai model pemuatan makna-makna pada pesan iklan yang disampaikan. Hasil dari penelitian menunjukkan bahwa masyarakat Republic of indonesia pada masyarakat menengah bawah lebih tertarik pada iklan rokok yang mengandung idiom parodi dibandingkan dengan idiom-idiom yang lain. Parodi merupakan fenomena sederhana yang diangkat dari kehidupan masyarakat, sehingga menghibur dan mudah dipahami. Sedangkan untuk masyarakat kelas menengah atas lebih tertarik pada iklan yang mengekploitasi objek laki-laki yang berwibawa, gagah, dan elegan. Analisis yang digunakan adalah teori estetika dan semiotika Roland Barthes. Iklan rokok merupakan wacana hiperealitas yang mereproduksi objek-objek tidak nyata. Penampakan objek-objek dalam iklan rokok berbaur dan melebur dengan fantasi, fiksi, danÃ‚Â  halusinasi. Idiom-idiom estetika dalam iklan rokok tersebut mengakibatkan keindahan konsep visual yang mempunyai implikasi kepada masyarakat sebagai konsumen.Kata kunci: iklan, idiom estetika, hiperealias, rokokCigarette advertising aims to convey the bulletin and the discourse of the image or brand of cigarette products. It is not an easy affair to come up with a creative idea in a cigarette advertisement considering that cigarette advertising rules are getting tougher. The five aesthetic idioms, namely Pastiche, Parody, Kitsch, Military camp, and Schizophrenia contained in cigarette advertisements give rising to aesthetic concepts as models of loading meanings on advertised advertising messages. The results of the study show that Indonesian in lower-middle-class lodge is more interested in cigarette ad containing parody idiom compared to other idioms. Parody is a elementary phenomenon that is lifted from the life of society, so it is entertaining and easy to empathize. Meanwhile, the upper middle class society is more than interested in ad that exploits the object of men who are authoritative, handsome, and elegant. The analysis used in this enquiry is the theory of aesthetics and semiotics Roland Barthes. Cigarette advertisement is a soapbox of hyperreality that reproduces unreal objects. The appearance of objects in cigarette advertisements blends in with fantasy, fiction, and hallucinations. The artful idioms in cigarette advertisements consequence in the dazzler of visual concepts that accept implications for society as consumers.Keywords: advertising, artful idiom, hyper reality, cigarettes

Studi Penciptaan Karya Seni Grafis Dengan Teknik Hot Impress Di Atas Kaca Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol one, No 1 (2009)

Publisher :

Institut Seni Indoensia Surakarta

The development of soapbox every bit well as the work procedure in the fine art realm relates to the contem-porary art spirit bringing pluralism, generates the tendency of art limit loss and daily needs, the fall of barriers between the loftier and popular cultures, opens the oppor-tunities of exploring form, technique and medium in creating the art work. The fine art institution and artist are required to attend and to participate actively in the dynamics of art development. A written report on art work cosmos occurring from the ascertainment, trial and creative experimentation is one proper answer for the demand of art evolution. This study begins from the observation of technique deve-lopment in the art work on the glass medium that still open the opportunity to explore the working technique, and it is inspired by the graphical art development outset to expand to the computer tech-nology. The author wants to produce a fine art work with glass medium that is different from conventional drinking glass pain-ting fine art and the technique employed was the printing technique in the graphical technique using thermal energy or calledÃ‚Â Hot Print. The hot print technique information technology self is a printing technique that utilize thermal free energy in this example using the heat usher plate continued to the electricity during the transfer of image to the drawing medium consti-tuting material, ceramic or drinking glass. Mean-while, the experimentation the author stimulates is the picture visualization processing on the glass that after seems to be iii dimensions, with the piled layer or glass arrangement. In improver, the author also tries to nowadays the problem, that is, questioning the communal identity of Javanese society among the global culture, throughÃ‚Â PanakawanÃ‚Â charac-ter, that isÃ‚Â Bagong.Ã‚Â Keyword: Wayang, Graphic art, Hot Impress technique.

Mengantarkan Seni Grafis Indonesia Menuju Pada Kematian Mahendrapati, A. Nawangseto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 2, No 2 (2010)

Publisher :

Institut Seni Indoensia Surakarta

Graphic arts (printmaking) is composing the image through the printing procedure with the purpose of reproduction or reproduce. History of graphic arts at first in Europe in the late 14th-century woodcut print used to make material patterns and print images for the following religious texts images-picture of a saint. Until the tardily 19th century graphic art has a role an informative function, equally the broadcasting of knowledge and every bit a medium of expression.The pioneers of graphic art in Indonesia is a visual artist,painter and sculptor,who institute an alternative in the art print. Baharoedin M.S. and Mochtar Apin that makes a set of graphic works to exist sent to countries that take recognized the sovereignty of Indonesia in 1946, is the painter. Momentum is regarded as heroic and patriotic moment that marked the birth of graphic arts in Indonesia.Talks abaout the art of graphic printing (printmaking) in Indonesia is always dwell on the issues apropos the position of inferiority issues in art map. Diversity techniques and fabric and assist in the creation of works of an artistic achievement of expression. But the opposite happened, every bit if the graphic arts lazy to move to find new things and seem like less sluggish blood.The development of graphic art certainly does non escape the role arts teaching institutions because, in general the new graphic fine art can be studied in educational institutions considering of the workmanship is in need of facilities such equally a studio representative and supported past the equipment that had to be there. Beyond that not a lot of agencies or organizations that facilitate or support the activities of the graphic arts. Therefore it is necessary to form a powerful synergy of inter-related infrastructure and support every movement printmaking Indonesia and able to spur a more than lively movement or at least make an effort to slow death.Keyword : graphic arts, lethargy, effort, synergy

Sakit Mata Refleksi Atas Pengalaman Pribadi Di Republic of indonesia Yngvesson, Finn
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol v, No 1 (2013)

Publisher :

Institut Seni Indoensia Surakarta

Books are capable of storing large quantities of information, both written and visual, forthousands of years. A printed book is not like digital data on a difficult drive, a website, acompact disc, a photograph or an art exhibit. A printed book will concluding for a very long time if thematerials are acid free and it is stored properly.Sakit Mata is a project to compile my writings and paintings from the year 2009 until2013. This was a time when I traveled from America to come up to graduate schoolhouse in Indonesia. Ifelt that it was important to combine writing and paintings to assistance the reader to understand thekinds of experiences and observations well-nigh my surroundings that influenced the work. I chosea book format not only because information technology enabled me to combine writing with images, but also becauseof its permanence and ability to maintain cohesiveness unchanged over time. I saw many of myfriends and classmates display their paintings together in the format of a gallery show thatlasted for a calendar week or two and then was gone. I don't want my experiences to be forgotten and mypaintings scattered in different places after a gallery show is over. I want everything to staytogether unchanged, documenting this time in my life and in the history of Indonesia.This kind of art book containing a wide multifariousness of subjects does not serve a clearpurpose, other than the preservation and documentation of memory and artworks for the future.I hope this book can have an appeal for many kinds of people and I purposely spent a lot of timewriting the book in both Indonesian and English and so that more people can sympathize the writtencontent.

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How Were Works of Art Utilized in Different Culturesã¢ââ¢ Burial Rituals

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